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| BACK ENTRANCE ("RIVER DOOR"). MID-18TH CENTURY. |
There were a couple of special exhibits Al wanted to see and they fortuitously didn't end until Sunday. So we walked over in the baking sun.
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| THE SIMPLE TILE WORK OF THE LAYMEN'S ARCH. |
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| HUH? |
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| HUH? |
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| HUH? |
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| AND... HUH? |
I raised my eyebrows a number of times at some of the art on display. But, the two artists Al was especially interested in seeing were both names I recognized (although really knew nothing about) and artwork I found interesting.
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| THE LARGE CLOISTERS. LOOKING FROM THE ORIGINAL REMAINS TO 19TH AND 20TH-CENTURY RECONSTRUCTIONS. |
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| MY COUSIN THE CURATOR (BACKGROUND, RIGHT)... READING. |
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| THE "LITTLE CLOISTERS." MID-1400s. (THE KNEELING NUNS AT FIRST GLANCE LOOKED LIKE YODA.) |
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| CHAPTER HOUSE. BURIAL PLACE OF THE RIBERA FAMILY (PATRONS OF THE MONASTERY). |
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| IS THAT A BREATHING TUBE?!? |
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| GALLERY BUILT AROUND PART OF CHIMNEY BASE. A JOSÉ PIÑAR "REMASTERING" ON THE WALL. |
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| JOSÉ PIÑAR: "GREATEST HITS." (A GREAT EXHIBIT, BUT MAYBE THEY SIMPLY RAN OUT OF WALL SPACE.) |
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| FIONA TAN: FRONT-AND-BACK PROJECTED "FAMILY' SLIDES IN HER "POINT OF DEPARTURE" EXHIBIT. |
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| FIONA TAN: ONE OF MANY [POINT OF DEPARTURE] DOORS INTO HER VIDEO EXHIBITS. |
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| BRITISH-STYLE OVENS FROM 19TH- AND 20TH-CENTURY CERAMICS FACTORY. |
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| "HOMBRE-ORQUESTA" ("ONE-MAN BAND") BY CURRO GONZÁLEZ THERE WERE HORNS ON A NEARBY WALL FROM WHICH MUSIC RANDOMLY PLAYED. |


















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